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| Internationalt Lysistrata Project: let's make love, not war. |
Have you ever heard of "International Lysistrata Project"? On March 3, 2003, fifty-nine countries hosted 1,029 readings ofLysistrata,Aristophane's anti-war comedy, to protest the Bush Administration's unilateral war on Iraq.
Readings were held in theatres large and small, schools, churches, libraries, in music halls, homes, cafes, community centers, clubs, subway cars, parks, and on street corners. More than 300,000 people attended readings organized by the 1,029 Lysistrata Project "spearheads."
Readings raised an estimated $125,000 for non-profit organizations working for peace and humanitarian aid. Some readings didn't raise money, but the fact that they occurred at all resonated as a powerful symbol of world citizens united for peace. For example, a secret reading in northern Iraq was organized by members of the international press corps, who had to keep quiet about it or risk losing their jobs.
The international Lysistrata Project participants earned the newscoveragethey received. The Project was featured on multiple CNN news programs, PBS' Lehrer News Hour, and many network and local news programs. Dozens of radio programs featured stories about the project, including NPR's All Things Considered and Dutch, French, German, Canadian, Japanese and Greek stations.
 Voice of the Lysistrata Project
 The idea for Lysistrata Project washatchedin early January 2003, when New York actresses Kathryn Blume and Sharron Bower were inspired by Theaters Against War (THAW) to actually do something about their feelings regarding the war on Iraq.
Kathryn Blume says that the purpose of the Lysistrata Project is not education, but expression, and above all, "to make it clear that President Bush does not speak for all Americans."
"Though we are not necessarily suggesting these tactics be used to end this war,Lysistrataprovides a humorous entree into a healthy community dialogue: What CAN the women do on a local level to stop "diplomacy by violence" in our world?"
Interviewed on NPR in January, Blume said the worldwide act of theatrical dissent aims to engage participants and audiences in antiwar dialogue. One of the hopes is to provide an alternative to the constant stream of war talk issuing from the White House and dominating the mass media.
About the playLysistrata
 Lysistrata, a comedy by Greek dramatist Aristophanes (447 - 385 BC), tells the story of a group of women from opposing states who unite to end thePeloponnesian War.
After matronly stormtroopers take over the building where public funds are kept, the women rise to end the war by withholding sex from their mates -- Until, desperate for intimacy, the men finally agree to lay down their swords and see their way to achieving diplomatic peace.
The originalLysistratawas performed to a war-weary audience that had already endured two decades of civil war and still had seven more to go. The Athenians' army was decimated, their economy was in ruins, and, as they didn't have enough problems, they had recently undertaken a disastrous invasion of Sicily that wiped out nearly their entire fleet.
But Aristophanes knew how to please an audience; like all his theatrical works,Lysistratais a fantasy and a happy one at that. Lysistrata helps negotiate a truce between Athens and Sparta and peace is restored across the land. The men lay down their swords, Lysistrata and her sisters open their arms (and their legs) and the bedrooms of Greece echo with the moans and sighs of conjugal bliss. Not so far out, really, when you think about it.
Background
亞里士多分尼的《莉西斯特拉忒》首演于西元411年，是現(xiàn)存最早的一部以女性為出發(fā)點(diǎn)，并針對(duì)反戰(zhàn)立場(chǎng)而與男性抗?fàn)幍膭”?。?lèi)似像《莉西斯特拉忒》這類(lèi)描寫(xiě)一群女性的作品，亞里士多分尼還有另外兩部：Thesmophoriazusae和Ecclesiazusae。
古希臘語(yǔ)中，Lysistrata含有"解散軍隊(duì)"的意思，劇本意在抗議Peloponnesian War戰(zhàn)爭(zhēng)，可是亞里士多分尼卻選擇了兩個(gè)非常通俗的元素"性"與"錢(qián)"來(lái)作為要挾停戰(zhàn)的工具，并且在劇本中加入了大量的"性暗示"和黃色笑話。整個(gè)故事在作者巧妙地構(gòu)思之下變得有趣而不枯燥，觀眾也可以明確地了解"性"與"錢(qián)"只是手段，政治的訴求才是劇本的主題。
關(guān)于角色的描述，《莉西斯特拉忒》明顯地不同于以往戲劇主角，它并不是一個(gè)丑角，而是一個(gè)有智慧和有意志力去貫徹其理想的女性。她的成功也不是一蹴而就的，而是經(jīng)過(guò)許多的波折和困難。亞里士多分尼也在句中描述了當(dāng)時(shí)希臘男女在社會(huì)上的不同處境，以及世俗觀念對(duì)他們的期待和約束。
由于其"反戰(zhàn)"的主題，《莉西斯特拉忒》成為亞里士多分尼最常被搬上舞臺(tái)的劇作之一。在1872年，奧地利劇作家Ludwig Anzengruber曾將《莉西斯特拉忒》改編為"Die Kreuzelschreiber"（《十字劃押的人》）。美國(guó)歷史上第一位黑人奧斯卡影帝Sidney Poitier（西德尼·波蒂埃），就是由于其在百老匯歌劇《莉西斯特拉忒》中的出色表現(xiàn)，才逐步走上熒幕的。
Links
http://www.sparknotes.com/drama/lysistrata/summary.html 戲劇 Lysistrata 學(xué)習(xí)指南
http://column.bokee.com/5441.html (新聞)從大街到舞臺(tái)，好萊塢正在對(duì)美國(guó)對(duì)伊戰(zhàn)爭(zhēng)發(fā)起進(jìn)攻
(英語(yǔ)點(diǎn)津陳蓓編輯)
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